Ludwig van Beethoven: Symphony No. 9 in D minor, Op. 125

Masabane Cecilia Rangwanasha, soprano
Rachel Frenkel, mezzo-soprano
Mauro Peter, tenor
Yannick Debus, baritone

Zürcher Sing-Akademie, choir
Nico Köhs, choir director
Luzerner Sinfonieorchester, orchestra
Michael Sanderling, conductor

Arnold Schönberg: Verklärte Nacht
Wolfgang Amadeus Mozart: Requiem d-Moll KV 626

Verity Wingate, soprano
Štěpánka Pučálková, alto
Werner Güra, tenor
Peter Kellner, bass

Konzertchor Interpunkt
Michael Schneider, choir direction
Tonkünstler-Orchester Niederösterreich
Andreas Ottensamer, conductor

Robert Schumann: Lehn deine Wang op. 142/2 (Vier Gesänge)
Robert Schumann: Es leuchtet meine Liebe op. 127/3 (Fünf Lieder und Gesänge)
Robert Schumann: Dein Angesicht, so lieb und schön op. 127/2 (Fünf Lieder und Gesänge)
Robert Schumann: Mein Wagen rollet langsam op. 142/4 (Vier Gesänge)
Robert Schumann: Dichterliebe op. 48
Edvard Grieg: Gruß op. 48/1
Edvard Grieg: Dereinst, Gedanke mein op. 48/2
Edvard Grieg: Verdens Gang »Lauf der Welt« op. 48/3
Edvard Grieg: Zur Rosenzeit »I Rosentiden« op. 48/5
Edvard Grieg: En dröm »Ein Traum« op. 48/6
Samuel Barber: There's nae lark
Samuel Barber: Nocturne op. 13/4
Samuel Barber: Rain has fallen op. 10/1
Samuel Barber: Sleep now op. 10/2
Samuel Barber: I hear an army op. 10/3
Charles Ives: A Christmas Carol
Benjamin Britten: I wonder as I wander
Irving Berlin: White Christmas

Gerald Finley, baritone
Julius Drake, piano

Mozart’s Clavichord in the Costume Workshop
With August Diehl and Alexander Gergelyfi (clavichord)

For the first time since 1842, Mozart’s clavichord leaves Salzburg. It is his own instrument, on which he composed, dreamed, and doubted. Amid the whirring sewing machines of the costume workshop, his immortal music suddenly becomes tangible – as if Mozart had just left the room. The texts are read by actor August Diehl, who for several years has been Georg Nigl’s sparring partner at the Salzburg Night Music series.

Georg Nigl, baritone
August Diehl, reader
Alexander Gergelyfi, clavichord

Richard Strauss: Ariadne auf Naxos

Andrea Eckert, Haushofmeisterin
Michael Nagy, Musiklehrer
Kate Lindsey, Komponist
Daniel Behle, Tenor/Bacchus
Jörg Schneider, Tanzmeister
Serena Sáenz, Zerbinetta
Golda Schultz, Primadonna/Ariadne
Jusung Gabriel Park, Harlekin
Matthäus Schmidlechner, Scaramuccio
Simonas Strazdas, Truffaldin
Daniel Jenz, Brighella
Maria Nazarova, Najade
Jenni Hietala, Echo
Anja Mittermüller, Dryade

Barrie Kosky, director
Rufus Didwiszus, stage setting
Victoria Behr, costumes
Franck Evin, lighting
Franz Welser-Möst, conductor

Mozart’s Clavichord in the Costume Workshop
With August Diehl and Alexander Gergelyfi (clavichord)

For the first time since 1842, Mozart’s clavichord leaves Salzburg. It is his own instrument, on which he composed, dreamed, and doubted. Amid the whirring sewing machines of the costume workshop, his immortal music suddenly becomes tangible – as if Mozart had just left the room. The texts are read by actor August Diehl, who for several years has been Georg Nigl’s sparring partner at the Salzburg Night Music series.

Georg Nigl, baritone
August Diehl, reader
Alexander Gergelyfi, clavichord

Johann Sebastian Bach: Christmas Oratorio, BWV 248 (Cantatas 1–3)

Nikola Hillebrand, soprano
Patricia Nolz, mezzo-soprano
Patrick Grahl, tenor
André Schuen, baritone

Tonkünstler-Orchester Niederösterreich
Giovanni Antonini, conductor

Wolfgang Amadeus Mozart: Die Zauberflöte, K. 620

Franz-Josef Selig, Sarastro
Julian Prégardien, Tamino
Martin Snell, Speaker
Jasmin Delfs, Queen of the Night
Liv Redpath, Pamina
Sarah Dufresne, First Lady
Martina Myskohlid, Second Lady
Natalie Lewis, Third Lady
Soloists of the Tölzer Boys’ Choir, Three Boys
Konstantin Krimmel, Papageno
Tata Razmadze, Papagena
Tansel Akzeybek, Monostatos
Shawn Roth, First Armored Man
Roman Chabaranok, Second Armored Man
Martin Snell, First Priest
Shawn Roth, Second Priest

Bayerisches Staatsorchester
Bayerischer Staatsopernchor
Michele Spotti, musical direction
August Everding, staging
Jürgen Rose, set and costumes
Michael Bauer, lighting
Beate Vollack, choreography
Franz Obermair, chorus

Mozart’s Clavichord in the Costume Workshop
With August Diehl and Alexander Gergelyfi (clavichord)

For the first time since 1842, Mozart’s clavichord leaves Salzburg. It is his own instrument, on which he composed, dreamed, and doubted. Amid the whirring sewing machines of the costume workshop, his immortal music suddenly becomes tangible – as if Mozart had just left the room. The texts are read by actor August Diehl, who for several years has been Georg Nigl’s sparring partner at the Salzburg Night Music series.

Georg Nigl, baritone
August Diehl, reader
Alexander Gergelyfi, clavichord

Nina Spinosi, soprano
Rémy Brès-Feuillet, countertenor
Gaël Lefèvre, tenor
Florian Boesch, bass-baritone

Ensemble Matheus
Chœur de l’Académie Haendel Hendrix
Jean-Christophe Spinosi, conductor