Richard Strauss: Ariadne auf Naxos

Andrea Eckert, Haushofmeisterin
Adrian Eröd, Musiklehrer
Kate Lindsey, Komponist
Daniel Behle, Tenor/Bacchus
Jörg Schneider, Tanzmeister
Serena Sáenz, Zerbinetta
Christina Nilsson, Primadonna/Ariadne
Jusung Gabriel Park, Harlekin
Matthäus Schmidlechner, Scaramuccio
Simonas Strazdas, Truffaldin
Daniel Jenz, Brighella
Florina Ilie, Najade
Jenni Hietala, Echo
Anja Mittermüller, Dryade

Asher Fisch, musical direction
Barrie Kosky, direction
Rufus Didwiszus, stage design
Victoria Behr, costume design
Franck Evin, lightening design

Edward Elgar: The Dream of Gerontius, Op. 38
An oratorio in two parts after a poem by Cardinal Newman

Jess Dandy, mezzo-soprano
John Findon, tenor
Florian Boesch, bass-baritone

Danish National Symphony Orchestra
Danish National Concert Choir
Vasily Petrenko, conductor

Ludwig van Beethoven: Symphony No 9 D minor op. 125

Christiane Karg, soprano
Lucile Richardot, mezzo-soprano
Andrew Staples, tenor
Alexander Grassauer, bass

Orchestra e Coro
dell’Accademia Nazionale di Santa Cecilia
Daniel Harding, conductor
Chorleiter Andrea Secchi

Ludwig van Beethoven: Symphony No. 9 in D minor, Op. 125

Elisabet Strid, soprano
Allison Cook, mezzo-soprano
Michael Schade, tenor
Albert Dohmen, bass

NNCK Chor
Noord Nederlands Orkest
Eivind Gullberg Jensen  , conductor

John Adams: Nixon in China

Thomas Hampson, Richard Nixon
Marlis Petersen, Pat Nixon
Sung Min Song, Mao Zedong
Kathleen Kim, Chiang Chi'ing
Joshua Bloom, Henry Kissinger
Xiaomeng Zhang, Zhou Enlai
Lara Grigorieva, Nancy Tang

Cornelius Meister, musical direction
Valentina Carrasco, stage direction
Carles Berga, Peter van Praet, stage
Silvia Aymonino, costumes
Peter van Praet, light

Sabine Devieilhe, vocals
I Giardini: Pauline Buet, cello & David Violi, piano
Marco Giusti, lighting
Laurent Pelly, director

Discover Sabine Devieilhe in the surprising world of musicals, French chanson and musical comedy! With “Smile!”, she surprises us in a unique, intimate and daring show.
Conceived for the intimate atmosphere of a small theatre, Sabine Devieilhe reveals herself as never before, accompanied by her two accomplices, Pauline Buet and David Violi. Directed with sensitivity by Laurent Pelly, this recital – conceived as a tribute to café-concerts and variety shows – weaves an unexpected dialogue between Francis Poulenc and Cora Vaucaire, Erik Satie and Annie Cordy, Stephen Sondheim and Joséphine Baker, and even Edith Piaf.

Ludwig van Beethoven: Fidelio

John Matthew Myers, Florestan
Simon Neal, Don Pizarro
Eleanor Lyons, Leonore
Rosalia Cid, Marzelline
Georg Zeppenfeld, Rocco
Mario Lerchenberger, Jaquino
Vladyslav Buialskyi, Don Fernando
First Prisoner Jörg Reißmann | Torsten Schäpan
Second Prisoner Norbert Klesse | Holger Steinert

Finnegan Downie Dear, conductor
Christine Mielitz, stage director
Peter Heilein, set & costumes
Jan Hoffmann, chorus
Wolfgang Pieschel, dramaturgy

Saxon State Opera Chorus Dresden
Dresden Symphony Chorus – Additional Chorus of the Semperoper Dresden
Saxon State Orchestra Dresden

Ludwig van Beethoven: Symphony No. 9 in D minor, Op. 125

Elisabet Strid, soprano
Allison Cook, mezzo-soprano
Michael Schade, tenor
Albert Dohmen, bass

NNCK Chor
Noord Nederlands Orkest
Eivind Gullberg Jensen  , conductor

Ludwig van Beethoven: Symphony No 9 D minor op. 125

Christiane Karg, soprano
Lucile Richardot, mezzo-soprano
Andrew Staples, tenor
Alexander Grassauer, bass

Orchestra e Coro
dell’Accademia Nazionale di Santa Cecilia
Daniel Harding, conductor
Chorleiter Andrea Secchi

Sabine Devieilhe, vocals
I Giardini: Pauline Buet, cello & David Violi, piano
Marco Giusti, lighting
Laurent Pelly, director

Discover Sabine Devieilhe in the surprising world of musicals, French chanson and musical comedy! With “Smile!”, she surprises us in a unique, intimate and daring show.
Conceived for the intimate atmosphere of a small theatre, Sabine Devieilhe reveals herself as never before, accompanied by her two accomplices, Pauline Buet and David Violi. Directed with sensitivity by Laurent Pelly, this recital – conceived as a tribute to café-concerts and variety shows – weaves an unexpected dialogue between Francis Poulenc and Cora Vaucaire, Erik Satie and Annie Cordy, Stephen Sondheim and Joséphine Baker, and even Edith Piaf.